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I get asked this question all the time. In the past, the degree represented a comfortable entry to career. That’s not the case today so it makes sense for digital cg artists to ask the question.
The computer graphics (CG) industry isn’t the same as the medical industry or practicing law where a degree is just a requirement to get one's foot in the door. CG artwork or computer generated artwork is a fairly new industry where its formal education isn’t a long-institutionalized thing. And while a degree is certainly valuable, it’s not necessarily a requirement for a successful career.
Value of a CG Artwork Degree
At this point in time, I measure the value of a CG artwork degree in two ways: Professional value and personal value.
Professional value is actually low. In my experience, I’ve never heard an employer reference my degree or discuss where I graduated from. And this is consistent with my professors’ warnings along with what I’ve observed among my co-workers over the years. Studios are much more concerned with the quality of a portfolio than with formal education. I’ve worked alongside graduates and non-graduates at the same studio. I’ve also seen valedictorians struggle to find work.Â
One of the most talented cg artists I’ve ever worked with has been a one-man-CG-army since he was in his teens, without a degree. All that to say, an impressive body of work overshadows a degree.
On the other hand, my formal education has proven to be a tremendous personal value for my development. While I believe that everything I learned in the classroom can be found on the internet for free, the difference is that in the classroom it was served to me on a silver platter. What I learned in 21 months at the university would take me several years to learn by sifting through YouTube videos and forum threads. There’s also the comfort of trusting what I learned in the classroom. The internet is full of poor, free-of-charge instruction by which we have no way to determine its legitimacy aside from trial and error.
I first started to learn CG when I was 14. At that time I had a massive book of basic tutorials and the internet to learn from. Most of what I learned in those first few years had to be broken and re-learned the right waywhen I went to college. In other words: Self-teaching can be free but it’s like stumbling around in the dark.
Financial Burden
Of course, formal education costs a ton of money. While the costs vary from school to school, the average animation degree costs about $160,000 ($40k x 4 years) for on-campus programs and about $56,000 ($7k x 8 semesters) for online programs. Understandably, not everyone has the means to pay for this or is willing to go into such debt. I was blessed to have parents that saved their whole marriage to gift my brother and I 4-years of college. Thankfully, as I mentioned before, an expensive degree is not a prerequisite for a successful career in the CG artwork industry.Â
Noah Bradley, a talented concept painter, made some waves with his  point-blank opinions about the cost of art school. While it’s directed more at traditional art education, it’s certainly correlates to digital art and is worth a read.
If you’re ready to spend big $
For those of you that have the financial means to pay for college, I’m going to list some solid schools that I’ve either worked with their graduates or heard positive things about from colleagues. Understand, this is not a comprehensive list but is just derived from my experience.
- Vancouver Film School: I’ve never worked with a VFS grad but I know they have an elite network of alumni. It’s arguably the Harvard of CG education. I’ve been told they won’t accept just anybody. I knew a classmate who was denied because his entry portfolio didn’t make the cut.
- Gnomon School of Visual Effects : Top-of-the-line CG education taught by industry professionals.
- Full Sail University : I am an alumni of Full Sail’s on-campus computer animation program. I highly value that experience as the fast-track for my CG development. They’re famous for their accelerated program: A 4-year-bachelor’s degree in 21 months. They have classes scheduled 24 hours of the day, of which I had a couple 1am-5am labs during my time there. I found the acceleration a benefit for the passionate, like myself, who couldn’t get enough CG. It also serves to weed out the impassioned, which paints a pretty realistic picture of what the industry is like - where the passionate succeed.
- Minneapolis College of Art & Design : I worked with several MCADians during my time at MAKE in Minneapolis. They were all extremely talented, some of which have gone on to animate at Disney ;and one is directing his first feature-length film for MGM.
- Savannah College of Art & Design : The “of Art and Design” schools seem to have a good reputation. Colin Levy, director of Sintel and former layout artist at Pixar, graduated from SCAD. Fun fact: He also happened to work at MAKE in Minneapolis before I was hired.
- FZD School of Design : This has become one of the most famous concept art schools since its founding in 2009.
If you’re NOT so ready to spend big $
As mentioned previously, the internet is at your disposal. And for the cost of a computer and internet access, you can quite literally teach yourself anything you want to know, including computer graphics.Â
This approach is the least expensive with the biggest learning curve: Google There are also much less-expensive alternatives to art school that teach CG more seriously.
- CG Cookie: [Elephant in the room] Surprise! WE are one of these alternatives. Our mission at CG Cookie includes becoming an affordable alternative to art school. With the launch of version 5.0 of our site, we launched Learning Flows that in many ways [will] mimic degree programs. At the moment, they’re still fairly new, so we admit that we’re not quite there yet, but we working hard to get there! And if you do the math, the cost of a CGC membership is a drop in the bucket compared to a formal art school.
- iAnimate: CGC instructor, Wayne Dixon, is an iA alumni. It’s an animation-centric program founded by former Animation Mentor, Jason Ryan, and utilizes livestream teaching more than pre-recorded lessons.
- Animation Mentor : This online animation school churns out very successful alumni , including the Blender Institute’s own Hjalti Hjalmarsson. Note: The school’s focus is animation, not other skills like modeling, texturing, etc.
- Pluralsight (formerly Digital Tutors) : This subscription-based site has an enormous library of CG training courses spanning nearly all creative applications.
- 3D Motive : Another subscription-based site with solid CG training courses taught by industry professionals.
Final Thoughts
Any kind of artistic or creative career is going to be successful based on one thing: The artist’s drive.
Drive will empower an aspiring artist to power through the trial-and-error approach of a self-taught “YouTube degree”. Drive is the catalyst that transforms an $80,000 education into stand-out skill; artistry; success. Without drive, you’ll just end up with a hobby or a piece of paper.
My class at Full Sail started with 87 people. 17 of those people graduated on time, and maybe 6 of the 17 have held steady jobs in the industry.
So before you ask yourself whether or not you should enroll in art school, make sure you can answer “yes” to the question: “Am I driven to succeed as a digital artist?”
Continued Reading:
"5 Big Reasons to Skip Private Art School" (by our own Jonathan Lampel!)
"How Much Animation School Costs"
Thank you for the information)) it is very useful for me
RRandy Peters There are a few people in my college classes that over in their 50s. One woman who started learning digital art started in her 50s. She is 65 now and has become one of the most skilled sculpture and model producing individuals at the college. Her background is doing hardcore engineering at Texas Instrument's military department so she is a technology wiz. With that in mind, the reason I think she became so skilled even though she started in her 50s is that she has been working and building complex computing devices and programming her whole life. Now another individual who is actually a student is in his 40s or maybe 50s. He has not used computers quite as much so he is having some difficulty. His background is directing movies and doing practical effects so CG is really a virtual version of that. Although he has been having trouble, he has improved greatly and I think he will do well.
So I have witnessed a pretty wide range of ages at my college. Most are in their 20s but there are always a few older adults.
Are there many older people (say in there 50's) trying to get a degree. And would it be worth trying at that age group. Would they be taken seriously because of there age.
We're honored that you're learning from us! Thanks for the response :)
Thank you Kent for this article, you are confirming my suspensions. I have been avoiding art school since I am still paying off my college debt. CGCookie is a better choice for me right now so thank you for existing or I might have officially given up especially with the cost of programs and computers. But I have a feeling with you guys and the endless world of the internet I just might be able to be an artist working in their field.
That's an extremely encouraging reply. Thanks for that, David :)
Excellent response and advice, maryshan. Thanks!
Thanks for sharing this, Caleb!
Fantastic article Kent! This was super helpful. I'm sure I could speak for all here when I say, "Glad you're here!" Your passion to help other artists radiates, as it does from all at CGC. Very happy to hear where Cookie is heading. Also, thank you for being patient with us (when we get frustrated). Know that you are very much appreciated. Thanks you for taking the time to write this, and for all you do to encourage and exhort us!
I'm 33 and I attended art school in my teenage years and academy of fine arts, infact I graduated in Sculpture.
I can tell Art school don't improve your skills, because I strongly believe you just born with it, but! surely the school gives you knowledge and prepares you to judge art and artist in a different way. Here in Italy we have alot of art schools and we basically study drawing, design, sculpture and architecture; its very important to have some art background if you want to know how to critique in a proper way...because the more artists you know (especially the past one) the more your soul grows. So despite the fact of attending school, just make sure you always STUDY, not just how to draw, paint or sculpt, but also story behind.